Lost Dreams & Hidden Desires: A Psychoanalytic Look at The Great Gatsby

 Lost Dreams & Hidden Desires: A Psychoanalytic Look at The Great Gatsby


By Mariam Malik


F. Scott Fitzgerald’s The Great Gatsby is often celebrated as a novel about wealth, love, and the American Dream. But beneath its glittering parties and jazz-age charm lies a deeper, more psychological truth. Through the lens of Psychoanalytic Theory, we discover a world driven by unconscious desires, repressed memories, and emotional wounds that never fully heal.


๐Ÿงช What Is Psychoanalytic Theory?


First introduced by Sigmund Freud, psychoanalytic theory explores how the unconscious mind shapes behavior. It focuses on internal struggles between:

* The Id (instinct and desire),

* The Ego (rational self),

* The Superego (morality and social rules).


When applied to literature, this theory helps us uncover what characters truly want, even if they don’t realize it themselves.

๐Ÿ•ถ️ Gatsby: The Man Who Couldn’t Let Go

Jay Gatsby is a walking symbol of  repressed desire. His love for Daisy isn’t just emotional—it’s obsessive, idealized, and deeply rooted in his need to rewrite the past.


Can’t repeat the past? Why of course you can!”

Gatsby’s need to recreate a perfect memory of Daisy reflects Freud’s idea of repetition compulsion his unconscious mind keeps pulling him back to a moment of imagined happiness. He tries to build an identity around wealth and success, but it’s all a mask for emotional emptiness. 

Id: Gatsby’s yearning for love, pleasure, and social validation.

Ego: His carefully constructed image of wealth and success.

Superego: The societal pressures he internalizes—being "good enough" for Daisy and her world.

๐ŸŒธ Daisy: The Illusion Gatsby Chased

To Gatsby, Daisy is more than a person—she is a dream. But to Daisy herself, the world is full of choices she doesn’t fully control. Her decision to stay with Tom reveals an inner battle between desire (Gatsby) and security (Tom).

She can also be seen as the object of Gatsby’s unconscious fantasy his version of the perfect life, full of beauty, love, and approval. Like Freud’s concept of the mother figure, Daisy represents both comfort and loss.

๐Ÿ‘ค Nick Carraway: The Observer With Inner Conflict

Nick, the novel’s narrator, tries to stay neutral—but he is just as conflicted. He admires Gatsby’s passion but also judges it. He wants to belong to the elite world of East Egg but also criticizes it. His perspective is filtered through his own psychological contradictions, making him an unreliable—but fascinating—lens.

๐Ÿ’” Dreams, Desire, and the Unconscious

Through a psychoanalytic lens, The Great Gatsby becomes a tragic study of repressed longing and failed identity. Characters chase things they cannot have, not just because of external limits, but because of the internal ghosT they carry with them.


๐Ÿ“ Final Thoughts


Psychoanalytic theory opens a powerful window into The Great Gatsby.It shows us that behind every lavish party and green light lies a mind torn between fantasy and truth. Gatsby’s downfall is not just social—it’s psychological. He doesn’t just lose Daisy. He loses a version of himself that never truly existed.


In the end, Fitzgerald doesn’t just tell a story about lost love. He tells a story about the unseen forces within us all our fears, dreams, and the past we can never quite escape.


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